Theater, Performance, and Music History
American musical theatre is a performance tradition that emerged from the confluence of European operetta, melodrama, and popular song in the late nineteenth and early twentieth centuries, eventually crystallizing into the Broadway form recognized today. Scholars examine how productions encode and contest ideas about race, gender, democracy, and national identity, treating the stage not merely as entertainment but as a site where cultural anxieties get negotiated in public. Current research asks how the genre has historically defined who counts as an American and whose stories deserve lyrical amplification, and whether contemporary Broadway represents genuine expansion of that conversation or a repackaging of older exclusions. The wire between high and popular culture running through operetta's aristocratic conventions and mass melodrama's emotional directness remains one of the field's most productive tensions.
- Works
- 69,055
- Total citations
- 106,824
- Keywords
- American Musical TheatreMelodramaBroadwayThe WireOperettaIdentity
Top papers in Theater, Performance, and Music History
Ordered by total citation count.
- Music as social life: the politics of participation↗ 1,563
- The Partisan Sort↗ 1,129
- Unheard melodies: narrative film music↗ 1,043
- Regimes and Repertoires↗ 999
- Blues People: Negro Music in White America↗ 885
- The Feminization of American Culture↗ 870
- The queen's throat: opera, homosexuality, and the mystery of desire↗ 762
- Dramas, Fields, and Metaphors↗ 750
- Home is where the heart is: studies in melodrama and the woman's film↗ 723
- The Melodramatic Imagination↗ 661
- The Auditory culture reader↗ 651
- Bodies in dissent: spectacular performances of race and freedom, 1850-1910↗ 641
Active researchers
Top authors in this area, ranked by h-index.