Theater, Performance, and Music History
American musical theatre is a performing art form that emerged in the late nineteenth and early twentieth centuries from the collision of European operetta, melodrama, vaudeville, and popular song, eventually crystallizing into the Broadway tradition recognized worldwide. Scholars study how productions negotiate questions of race, gender, class, and national identity—treating the stage not as mere entertainment but as a site where democratic ideals and social anxieties are rehearsed in public. Active research examines how specific shows encode or challenge dominant cultural norms, tracing the genre's long-running tension between commercial ambition and artistic or political ambition. Open questions include how musical theatre both reflected and shaped American identity across different historical moments, and what the genre's global circulation reveals about the export of particular ideas about democracy and belonging.
- Works
- 66,867
- Total citations
- 105,819
- Keywords
- American Musical TheatreMelodramaBroadwayThe WireOperettaIdentity
Top papers in Theater, Performance, and Music History
Ordered by total citation count.
- Music as social life: the politics of participation↗ 1,563
- The Partisan Sort↗ 1,085
- Unheard melodies: narrative film music↗ 1,043
- Regimes and Repertoires↗ 978
- Blues People: Negro Music in White America↗ 884
- The Feminization of American Culture↗ 870
- The queen's throat: opera, homosexuality, and the mystery of desire↗ 762
- Dramas, Fields, and Metaphors↗ 747
- Home is where the heart is: studies in melodrama and the woman's film↗ 723
- The Melodramatic Imagination↗ 659
- The Auditory culture reader↗ 651
- Bodies in dissent: spectacular performances of race and freedom, 1850-1910↗ 641
Active researchers
Top authors in this area, ranked by h-index.