Music History and Culture
Music history and culture examines how musical practices, genres, and industries both reflect and actively shape social life — from the way rap became a vehicle for identity and political expression among marginalized youth to how subcultural scenes negotiate what counts as authentic art versus commercial compromise. Scholars draw on sociology, ethnomusicology, and cultural theory to trace how people use music to form collective identities, mark generational boundaries, and contest or reinforce structures of race, class, and gender. Globalization and digital technology have made these questions newly urgent, as streaming platforms and social media simultaneously democratize music production and concentrate economic power in unfamiliar ways. Researchers are actively working to understand how local musical traditions survive or transform under global commercial pressures, and what it means for a culture to "own" a genre when that genre circulates everywhere at once.
- Works
- 139,613
- Total citations
- 490,980
- Keywords
- MusicCultureYouthIdentitySubculturesAuthenticity
Top papers in Music History and Culture
Ordered by total citation count.
- Culture in Action: Symbols and Strategies↗ 8,488
- The Third Wave↗ 4,369
- Subculture: The Meaning of Style↗ 3,834
- Subculture: The Meaning of Style.↗ 3,505
- Resistance Through Rituals: Youth Subcultures in Post-War Britain↗ 2,448
- Consumer Culture and Postmodernism↗ 2,255
- Subcultures of Consumption: An Ethnography of the New Bikers↗ 2,175
- The Cultural Studies Reader↗ 2,093
- Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?↗ 2,048
- The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics↗ 2,011
- Club cultures: music, media and subcultural capital↗ 1,953
- State of the Art in Counterpoise Theory↗ 1,885
Active researchers
Top authors in this area, ranked by h-index.