Music History and Culture
Music history and culture examines how musical practices, genres, and industries both reflect and actively shape social life — tracing how communities form around sound, how genres like rap become vehicles for identity and political expression, and how ideas of authenticity get negotiated between artists, audiences, and commerce. Scholars draw on sociology, ethnomusicology, and cultural theory to understand why certain music resonates with particular groups, especially youth navigating questions of belonging and self-definition within subcultures. As streaming platforms and globalization accelerate the circulation of music across borders, researchers are actively debating whether these forces homogenize local scenes or create new hybrid forms of cultural expression. Central open questions include how authenticity survives commodification, and what happens to subcultural identity when the underground goes mainstream.
- Works
- 142,483
- Total citations
- 493,528
- Keywords
- MusicCultureYouthIdentitySubculturesAuthenticity
Top papers in Music History and Culture
Ordered by total citation count.
- Culture in Action: Symbols and Strategies↗ 8,576
- The Third Wave↗ 4,371
- Subculture: The Meaning of Style↗ 3,834
- Subculture: The Meaning of Style.↗ 3,505
- Resistance Through Rituals: Youth Subcultures in Post-War Britain↗ 2,448
- Consumer Culture and Postmodernism↗ 2,255
- Subcultures of Consumption: An Ethnography of the New Bikers↗ 2,183
- The Cultural Studies Reader↗ 2,093
- Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?↗ 2,083
- The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics↗ 2,011
- Club cultures: music, media and subcultural capital↗ 1,953
- State of the Art in Counterpoise Theory↗ 1,892
Active researchers
Top authors in this area, ranked by h-index.